Desperately seeking audience share, the state-funded BBC’s attempts at rewriting classics for TV are part of a deliberate woke strategy that messes with masterpieces believing they, not the Beeb, need to change to be relevant.
Only at the BBC would some self-important executive have the nerve to say out loud that his organization – a liberals-ridden, state-funded broadcaster facing an existential crisis – should be put in charge of rewriting classic works of English literature to make them “more relevant.”
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